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Tuesday, September 27, 2005

Serenity

Serenity Graphic

Serenity achieves something that I wasn’t sure was possible: it should end up appealing to fans of the show Firefly as much as it does to people who didn’t even know that it was derived from an unfortunately short-lived TV show. The early exposition is kept to a minimum and even provides a little bit of background that will keep the fans happy, and, with just that tiny bit of fuss, the viewer is launched into Joss Whedon’s Western-tinted science fiction world.

The plot is fairly typical: fugitives from a secretive, scary government are sheltered by a group of (mostly) good-hearted outlaws. The group is hunted across the galaxy and share wild adventures. But that isn’t the half of it.

The script is smart and funny and quick-witted, the characters are sharply drawn, and it manages a few emotional tugs along the way (tugs that will be enhanced for fans of the show). From the very beginning, there are surprises and the action moves with impressive intensity. This movie is, almost literally, one that will have the crowd sitting on the edge of the seat, eyes wide, and wondering what’s going to happen next. This is good stuff.

For as action packed as it is--and the action makes the thing move fast--it never seems stupid or gratuitous. In fact, some of the more casual and brutal violence makes the most sense in the context of the story. It isn’t overly bloody, it isn’t sickening, and it isn’t over-the-top; it’s a movie where the violence simply makes sense.

The characters--from Jayne with his hilarious, mercenary self-interest to River with her mysterious past and to the Captain, Mal, with his conflicted worldview--all bring something unique and interesting to the show. They never feel like stock characters that would fill out any other script or story--they are a product of Whedon’s well-conceived universe.

Sure, there are a few moments where the sets feel like sets and the special effects don’t rise far above Firefly’s (admittedly solid) TV type effects. For that matter, some of the Old West meets space opera dialog stumbles as it tries to rise above affectation. But those are minor quibbles about a movie that feels this fresh, this fun, this exciting, and this surprising.

This one deserves a big following and the hope that Whedon either brings the TV show back to life or gives us a few more feature films to keep us happy. Brave the crowds and go see this one soon--it’s worthy of the big screen adaptation.

Others:
The Vodka Pundit view.
Instapundit.
Internet Freedom Trail (where the writer hadn’t seen Firefly).
Combs Spouts Off has a great review.
Booklore.
Misplaced Keys has what can only be described as a very happy review.
TBOTCOTW has a great review, too. After the movie I had dinner with Matt, his lovely wife, and a few other companions. You really shoulda been there.
Dorkafork (another of the dinner companions) has his own review with bits that border on spoilers but don’t quite go over the edge. And, if you look carefully enough, he also has this:

He leads a small, eclectic crew who are the closest thing he has left to family –squabbling, insubordinate and undyingly loyal on a three hour tour.  A three hour tour.”

Which made me giggle.
Roger Fraley gives a good review, too.
VOLuntarily Conservative
The wonderfully named Doc in the Box.
BizzyBlog
I told you that Phil was going to do a review.
The wildly neglected Bad State of Gruntledness (who has decent taste in movies, booze, music, and wives (or should that be singular?)) has a review that almost has a spoiler. Almost.

Note: I’m doing what I can to weed out the reviews that contain full on spoilers. The movie deserves better and so does the audience.

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