Tuesday, March 17, 2009
American Idol, March 17, 2009: Well, It’s Better Than Anything to Do With Miley Cyrus Edition
Before we start in with the wannabe rock stars and pop stars of the world, I want to say that our former president, George Dubya, again acts with surprising grace for a guy who still says nookyoolar. Which I find strangely endearing.
There is and should be a brotherhood (someday, somehow, probably before I die, with added sisterhood) that says, “I know how tough this job is and I’m not going to add to the pressure.” In fact, I fully believe that the presidents should always and forever be ready and willing to support the current president to the best of their ability. In my view of the world, Carter wasn’t only a horrible president, but a phenomenally bad former president, Clinton gets mixed (but often positive) results, and, well, you get the idea. I doubt that Obama will ever ask Bush for his opinions or his ideas, but he may well ask for his face and his influence in something important some day--and I have no doubt that Bush will again do what he thinks is best for the country.
Instead of taking easy shots from the sidelines, Bush is taking the high road--and with the flak that continues to come from the left, it probably takes a bit of self control to stay on the polite side of the conversation.
No one is above criticism, but Bush is acting in an admirable way, and I hope the left takes a moment to appreciate it.
Randy Travis seems like an awfully nice guy and he has an absolutely wonderful voice. It’s nice to see him on the show coaching the kids.
Michael Sarver should be good on country week--and he is. Not great, but definitely a credible performance on a tough song (sorry, didn’t catch the name and I don’t know the tune). Randy didn’t like it so much (not showcasing the vocals enough), Kara had the same criticism, Paula offers empty words and love (which makes me worry a bit about my own performance), and Simon wasn’t so fond. He does bring up a good criticism (which Darling Girl agrees with): it was a little clumsy and he didn’t enunciate well.
Travis gives Allison Iraheta good advice about not playing too cutesy and let her strong voice carry the strong. And while the backup singers phone in their performance, Allison’s voice does shine. Incredibly well done--better, by far than I thought she could manage a country song, but very simply good. Kara loves, Paula goes on and on, Simon offers decent criticism, and Randy offers her drugs. For some reason.
Can Kris Allen manage to rise above the serious mediocrity that currently envelopes his entire being? Or am I being unkind? Well, he bravely sings without his guitar and makes Garth Brooks’ “To Make You Feel My Love” into a more contemporary pop ballad--which isn’t a stretch since Brooks always straddled the line a bit in his songwriting. Unfortunately, his voice really isn’t all that great, I found myself more bored than mesmerized, and I hope he goes home soon. Paula loves the world and isn’t afraid to talk about that love in completely incomprehensible ways for amazing lengths of time, Simon dug it big, and Randy offers Kris some tender moments. For some reason. Kara loved it, too.
Apparently my opinion was wrong: it was a good performance. Darling girl says so, too. Apparently, I just hate the guy.
Slightly Worried Aside: Is my penis devastating the environment? Good Lord, I hope not. In fact, I’ve always thought that my penis could save the world, if only we could tap its vast powers for good.
Lil Rounds might be a little out of her element on country night. Just sayin’. I don’t know Martina McBride’s “Independence Day”, which seemed an awfully good song for her. She might shoulda gone for “Little” Esther Phillips version of “Don’t Put No Headstone on My Grave” (link opens in iTunes Music Store). Phillips bounced around both country and R&B her entire career, with most of her success coming on the R&B side, but with credible country roots."Don’t Put No Headstone on My Grave” is something that might have come across too blues for the show, but given that the song was written by the great Charlie Rich, the country roots would have been easy to justify. This was a stretch for her--a tough night with a merely serviceable performance for the woman with one of the best voices on the show. Randy wasn’t impressed at all. Kara says something, but I don’t remember what it is. Paula blah. Simon has problems with her name and didn’t like the song so much.
The most professional of the group Adam Lambert (who likes to kiss boys--which might break a few pre-teen hearts in the audience) does strange, bad things to “Ring of Fire.” I mean, seriously, what the hell was that? I’ve been a booster ‘til now, but that was a hideous and self-indulgent misfire. Kara is confused. Paula makes random noises. Simon says, “What the hell was that?” and then calls it “indulgent rubish.” Randy says it was Nine Inch Nails doing a country song.
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